Degrees per hour to Hertz

The ISS completes one orbit (360°) in about 92 minutes, giving roughly 235°/hr — almost 16 times faster than Earth's rotation. That is why astronauts see 16 sunrises every 24 hours. At an altitude of ~408 km, the station covers about 7.66 km/s of ground track. If you could watch it from a fixed point in space, it would visibly sweep through the sky at a rate where one degree takes only about 15 seconds.

Because even tiny drift accumulates into serious navigation errors over a flight or voyage. A navigation-grade ring-laser gyroscope drifts less than 0.01°/hr; over a 10-hour flight that is only 0.1° of heading error. A cheap MEMS gyro drifting 10°/hr would accumulate 100° of error in the same time — useless for navigation. Expressing drift in °/hr makes the operational impact immediately obvious to a pilot or engineer.

Equatorial telescope mounts have a motorised right-ascension axis aligned with Earth's rotation axis. By driving that axis at exactly 15°/hr (one sidereal rate), the telescope counter-rotates against Earth's spin, keeping a star fixed in the eyepiece. Without this drive, stars would drift out of view in seconds at high magnification. Astrophotographers rely on it for long exposures without star trails.

The Moon's apparent motion has two components. It shares the sky's overall 15°/hr westward motion due to Earth's rotation. But it also orbits Earth, moving about 0.55°/hr eastward relative to the stars (360° ÷ 27.32 days ÷ 24 hr). The net effect: the Moon moves westward across the sky at roughly 14.5°/hr, which is why moonrise occurs about 50 minutes later each day.

A Foucault pendulum's swing plane rotates relative to the floor at 15° × sin(latitude) per hour. At the North Pole (90°) that is the full 15°/hr; at 45° latitude it is about 10.6°/hr; at the equator it is zero. The pendulum always swings in a fixed plane in inertial space — it is the Earth rotating underneath it. The sine factor comes from the fact that only the vertical component of Earth's angular velocity vector projects into the pendulum's swing plane. Paris (48.9°N) sees about 11.3°/hr, which is why Foucault's original 1851 demonstration took most of a day to complete a visible rotation.

It is largely a historical accident. Early generators in the US settled on 60 Hz because it divided neatly by common motor pole counts and worked well with the 110 V supply Edison promoted. Germany standardized on 50 Hz with a 220 V supply, and colonial-era wiring spread each standard across continents. Changing now would mean replacing every motor, transformer, and clock in the country — so both standards persist.

Concert pitch A4 = 440 Hz was standardized internationally in 1955, but some musicians insist 432 Hz sounds warmer or more natural. There is no physics-based reason 432 is special — it is 8 Hz lower, which shifts every note slightly flat. Historical tuning varied wildly (baroque pitch was often ~415 Hz). The debate is real in music circles, but the claimed health benefits of 432 Hz have no scientific support.

In 1887 Hertz built a spark-gap transmitter and a loop antenna receiver in his lab in Karlsruhe. When the transmitter sparked, the receiver — across the room with no wire connecting them — also sparked. He measured the wavelength and speed, confirming they matched Maxwell's theoretical predictions for light. Hertz was 30 years old. Ironically, he called the discovery of no practical use.

Older magnetic-ballast fluorescent tubes ignite and extinguish twice per mains cycle (100 or 120 times per second) because AC current crosses zero twice per cycle. Most people can't consciously see 100 Hz flicker, but it can cause headaches and eye strain. Modern electronic ballasts drive the tube at 20–40 kHz, eliminating visible flicker entirely.

About 20 Hz under ideal conditions, though sensitivity at that frequency is poor — you need extremely high sound pressure to perceive it. Below 20 Hz is infrasound: you cannot hear it as a tone, but at sufficient intensity you feel it as chest pressure or unease. Pipe organs exploit this: their longest 64-foot pipes produce notes around 8 Hz that you feel more than hear.